punch the glass ended clock to catch the 9:00 train whistle and set your head on rightMonday, May 31, 2010
Thursday, May 27, 2010
under the mulberry
My mortal enemy ZeusII laughed and told me his secret
in the form of a two page soliloquy vacuum sealed
and double stapled to my lapel...
he had slipped me a mickey; that's old hat
then set me off in a blink to the moon
that old gray dust bowl round and bright as any nightlight
and that's all she wrote
it's a fact, she did, and here is what she said:
Mortimer had the idea as a wee lad
sitting inside the hollow of his father's garden
beneath the arcing limbs of the big weeping mulberry
where he mumbled scattered oaths and wiped his frantic nose
what would happen if he stifled a sneeze:
would I explode or implode or maybe noisily fart
and would the neighbors hear and laugh and point in the market?
He always kept a hankie sometimes more
and adored carrots and rhubarb from the market
so nay he wouldn't chance it, the sneezes were his trademark anyway
like a cowbell on a heifer or the tinkle of a cat's adorned collar
the warning of the big black feline that inched below the leafy cascades.
Then as it happens Mortimer grew and grew some more
until that day he was a grown man, though young, and heedless
of the words spread about in the market.
Bless you, young Mortimer, they intoned at his sneezes
often, and he still kept a hankie about
one for himself and one for just in case
in the event a lady was about needful of a hankie for reasons undisclosed.
Finally Mortimer older and larger
came to his father's house to settle the estate
and he came upon the garden and the unkempt mulberry
grown older and larger as well.
He was dusty and his thick hair trailed broken cobwebs
gathered in the attics and the sheds and the closets
so crawling into the sparse mulch under the tree
was no daunting occupation
and he did so willingly, feeling the urge to capture an old thought
one that nestled in a wrinkle of his amygdala:
Will I explode, will I implode or heaven forbid
will I emit a fart so noxious and loud
so mortally shameful that it will reach the ears of the auditors
and the neighbors and even as it takes to the wind
distributing itself in all its mitigated glory to the peaks of Everest?
At that the middle aged Mortimer felt a familiar tickle in his nose
reached for a hanky but left it and when the sneeze worked its way to the surface
he reigned it in while scrunching up his face and pursing his lips
bringing to his mind the awful grimace of a llama high in the Andes
and the sneeze backed up and sent him to where he as he stifled it thunk it.
Mortimer found himself wiping a finger under his nose, dust and cobwebs intact
on a Peruvian hillside knackered from the ass kicking a stifled sneeze
that sends you halfway across the world will give you
and wondered if he had indeed imploded
as this result seemed unconventional for a fart. A llama snorted.
He thought of home, and when he stifled the impending sneeze he was there.
Many years have passed since then, and Mortimer is known to us all.
He has used his allergic powers for good, never evil
even thwarting his nemesis ZeusII now and again
giving service to his country and earning the gratitude of millions.
He is Mortimer but seldom wears a cape, preferring tweed
or llama wool.
On the day of his retirement he finally sat down with his old friend, ZeusII
drinking tea, and reminiscing; I was there, taking notes
ZeusII was debonair, ingratiating; easy in his defeat.
He said: It is what it is. To my ear he meant it.
Where Mortimer was genuine and uncombed, ZeusII was ever slick
and never off his game.
It was late, the moon was full, and Mortimer was quiet
even his nose was calm and his sneezes infrequent.
I remember it exactly, ZeusII pondered the moon, and wondered why Mortimer had never visited.
Well, he'd never thought of it; and the villain tossed pepper into the hero's face
who sneezed and in his panic unconsciously stifled it
the shining face of the moon still upon his eye
then ZeusII quickly upped and was away, his enemy en route to the colorless orb.
Mortimer never recovered from his final stifled sneeze
traces of an antihistamine were found in his teacup
masterfully placed by foe ZeusII who even now studies the art of the stifled sneeze
of woe are we should he succeed, though none have, we wouldn't put it past him...
Breathless Mortimer lays surrounded by dust never to feel that old familiar twitch again.

in the form of a two page soliloquy vacuum sealed
and double stapled to my lapel...
he had slipped me a mickey; that's old hat
then set me off in a blink to the moon
that old gray dust bowl round and bright as any nightlight
and that's all she wrote
it's a fact, she did, and here is what she said:
Mortimer had the idea as a wee lad
sitting inside the hollow of his father's garden
beneath the arcing limbs of the big weeping mulberry
where he mumbled scattered oaths and wiped his frantic nose
what would happen if he stifled a sneeze:
would I explode or implode or maybe noisily fart
and would the neighbors hear and laugh and point in the market?
He always kept a hankie sometimes more
and adored carrots and rhubarb from the market
so nay he wouldn't chance it, the sneezes were his trademark anyway
like a cowbell on a heifer or the tinkle of a cat's adorned collar
the warning of the big black feline that inched below the leafy cascades.
Then as it happens Mortimer grew and grew some more
until that day he was a grown man, though young, and heedless
of the words spread about in the market.
Bless you, young Mortimer, they intoned at his sneezes
often, and he still kept a hankie about
one for himself and one for just in case
in the event a lady was about needful of a hankie for reasons undisclosed.
Finally Mortimer older and larger
came to his father's house to settle the estate
and he came upon the garden and the unkempt mulberry
grown older and larger as well.
He was dusty and his thick hair trailed broken cobwebs
gathered in the attics and the sheds and the closets
so crawling into the sparse mulch under the tree
was no daunting occupation
and he did so willingly, feeling the urge to capture an old thought
one that nestled in a wrinkle of his amygdala:
Will I explode, will I implode or heaven forbid
will I emit a fart so noxious and loud
so mortally shameful that it will reach the ears of the auditors
and the neighbors and even as it takes to the wind
distributing itself in all its mitigated glory to the peaks of Everest?
At that the middle aged Mortimer felt a familiar tickle in his nose
reached for a hanky but left it and when the sneeze worked its way to the surface
he reigned it in while scrunching up his face and pursing his lips
bringing to his mind the awful grimace of a llama high in the Andes
and the sneeze backed up and sent him to where he as he stifled it thunk it.
Mortimer found himself wiping a finger under his nose, dust and cobwebs intact
on a Peruvian hillside knackered from the ass kicking a stifled sneeze
that sends you halfway across the world will give you
and wondered if he had indeed imploded
as this result seemed unconventional for a fart. A llama snorted.
He thought of home, and when he stifled the impending sneeze he was there.
Many years have passed since then, and Mortimer is known to us all.
He has used his allergic powers for good, never evil
even thwarting his nemesis ZeusII now and again
giving service to his country and earning the gratitude of millions.
He is Mortimer but seldom wears a cape, preferring tweed
or llama wool.
On the day of his retirement he finally sat down with his old friend, ZeusII
drinking tea, and reminiscing; I was there, taking notes
ZeusII was debonair, ingratiating; easy in his defeat.
He said: It is what it is. To my ear he meant it.
Where Mortimer was genuine and uncombed, ZeusII was ever slick
and never off his game.
It was late, the moon was full, and Mortimer was quiet
even his nose was calm and his sneezes infrequent.
I remember it exactly, ZeusII pondered the moon, and wondered why Mortimer had never visited.
Well, he'd never thought of it; and the villain tossed pepper into the hero's face
who sneezed and in his panic unconsciously stifled it
the shining face of the moon still upon his eye
then ZeusII quickly upped and was away, his enemy en route to the colorless orb.
Mortimer never recovered from his final stifled sneeze
traces of an antihistamine were found in his teacup
masterfully placed by foe ZeusII who even now studies the art of the stifled sneeze
of woe are we should he succeed, though none have, we wouldn't put it past him...
Breathless Mortimer lays surrounded by dust never to feel that old familiar twitch again.

Monday, May 24, 2010
what a farce, indeed!
One hamburger or two? One question or three, up to a dozen—they never end; the staring never ends. The complete looks of disgust are better than the faces that turn away, pretending they never saw, or the women and children who duck into store fronts to avoid breathing the same air.
It was in all the papers, but of course the internet is more accessible these days—even the inexhaustible footage never stops streaming on YouTube. Everybody knows who I am; they all know my story. I will never live it down. I will never be free of who I am or what I've done. If there was ever a valid reason for suicide, I think I've discovered it, my body is newly shorn—I've just come from the groomers. My hospitable alien friends turned me into an alpaca.
For those of you who missed it, my name is Trigg Hatfelt, son of engineers, astronaut for the United Space Emporium, USE, assigned to the fifth fleet stationed in the third quadrant of the Rho Ophiuchi star sysytem. My team discovered the aliens, rather the indigent advanced lifeforms of Breaford, the third planet of Sigma.
They were nearly all light, but for communication purposes donned animal suits in our presence. They no longer had a name for themselves, but Alice called them Morphemes, I don't remember why, and the name stuck. The leader of the Morphemes was a sloth, I suppose they took on a form that most closely associated to their personalities. Also, he was beyond cute, and I'm pretty sure charisma was very appealing to the Morphemes; they almost worshiped aesthetics—which was weird, for it was nearly totally eliminated from their culture. The Breafordians lived beneath white domes a hundred miles round, connected by wireless transport discs. They moved around quite a lot. We weren't capable of using their transportation system, it would have incinerated us down to a cellular level, and was not equipped to put the scattered pieces back together, but we viewed them from our secure capsules stepping onto the silver circles and dissipating. One ghostly form would exit, another would return. We never figured out what the purpose of their constant travel was.
One day Alice, Maurice, and I were ushered into a twenty foot high building in the shape of an igloo; it's white bricks shimmered, translucent, and beams leaked out from the mortar. The Morpheme leader crawled on its belly from a back room, grinning up at us. Finally it reached us and sat at our table beckoning to a solid white wall, and a picture show started. We saw our Earth, at first from afar, then a closeup of continents and shorelines, then forests and cities. I don't know how they obtained these pictures, whether from their own devices or our minds, but it was obvious what they enjoyed, and what we viewed were the most pleasant and joyful scenes of Earth. Leafy trees, clouds big and fluffy, ocean waves of blue crashing in the foamy surf.
All around us now gathered the Morphemes in their animal suits, all of them puffed and fluffy and cute as a bug's ear. Not one of them donned the skin of an alligator or anything resembling a human. They pointed at us, with fingers or snouts, and then gestured at the furry creatures on the white wall. They smiled, I think they were smiling, and we were delighted, entranced. We clapped and nodded our heads. We hugged one another, happy for the connection we were making with such a friendly bunch of aliens. We would be heroes upon our return to Earth.
Well, the Morphemes took our nods and hoots as an acknowledgment of their gesture of welcome and kinship. It was in their nature to give freely of themselves, naturally predicting our desires to be one and the same as theirs. In retrospect, they may have been saying, Look at yourselves—how ugly you have become, with your narrow faces and pale skin. You are herky jerky in your gait, wrinkled and hairless. You wear fabricated skin to cover your ugly bodies—we have seen them—your minds think only of possessions or predicaments to wiggle into or out of. Such a mishmash of incomprehension...won't you be more like us, or if you aren't ready for translucency then be more like your animal cousins. We have seen how you enjoy our company...now enjoy it along with us, and take this gift back to your world.
After our meeting in the igloo, me and the team returned to our capsules and traveled back to our spaceship. We were given gifts that we didn't understand and boarded our craft to blast off of this alien world onto a trajectory that would lead us to the Milky Way and finally Earth, some fifteen years by and by.
All the way home we beamed images of Breaford and the Morphemes to scientists and the people of Earth. All were delighted in our discoveries. Pictures and diagrams of the alien presents were transmitted, and while none knew what they could be or of what purpose, anticipation of their arrival and of our return was felt throughout the colonies by the people and representatives alike.
The day of the return year came, and we awakened from a ten year sleep to an Earth older by several decades itself. We landed to a fanfare and sizzling display of pyrotechnics—people circled our spaceship in never-ending spirals overlapping and surging like waves on a beach. From a distance it was a spectacular view of unspecified undulating forms amidst cacophony, sparks and colorful smoke. Closer we made out human forms of every shape size and color, crowding pushing and waving. They cheered and we called back to them. It was good to be home.
A tunnel snaked into the throng, dividing the people, until it reached and connected with the ship's portal. We collected our belongings and disengaged the airlock to exit our home of the last thirty years. Much of that time we had spent in stasis, so we hadn't aged more than a few months. But the grounded people of Earth had aged the full thirty years, and none of the faces that greeted us were familiar. They escorted us into a secure facility where every part of our persons and gear were radiated against alien bugs and fear.
Alice was everyone's sweetheart—she appeared on every talk show and won every accolade. Even at the end she was adored and a sympathetic personality. Maurice was interviewed infrequently and forgotten; he had a heavy brow and a low guttural accent that was mostly undecipherable. Not long after we landed he returned to his native country and disappeared into the feral landscape where he felt most at home.
I was extensively interviewed and touted as the future of space travel, a modern day Captain Kirk. The ultimate responsibility was mine, and I had delivered. And finally the scientists revealed the gift of the Morphemes to the world. They had spent years pouring over the presents and found them to be nothing but glowing, translucent artifacts of the Breaford world. There was nothing at all mysterious or valuable in the gifts, other than the fact that they'd come from light years away, and glowed. So they went into a traveling exhibit that saw every corner of Earth. Nearly every inhabitant of the planet saw the gifts, felt the glow on their faces or from across the room. Eventually the presents made their way back to the landing site, where a permanent building was erected for their ultimate resting place, a museum dedicated to the Morphemes and the salutations they sent.
Many years hence we received a further communication from the third planet of Sigma: a brief flash of light. They had set a star of their system into supernova, as a message to us, or perhaps a catalyst. I believe it was the latter. Humans across the globe had swum in the glow of a distant star, as they gazed and were gazed on by the gift of the Morpheme; now they bathed in the light of the Morpheme's punctuating present. We received the blessing of those I had visited and concurred with those many decades ago. Now that it has happened, I realize the error I made, and take full responsibility. Little good it does me. I am loathed by every cute guinea pig and pekinese I encounter. Here is a yellow chick, and an otter. A mother giant panda and her koala child shuffle into an ice cream shoppe to wait for me to pass. Penguins jeer at me.
Well, what is an alpaca to do about it? At the least, I know I am admired from afar, by a world of wispy world wandering souls that drift in lazy circles around that bright star, Sigma. My 'people' are readying a rocket now to send me back, the furry opposable thumbed gibbons and adroitly tailed critters. They expect me to explain, to find a cure, to reverse the process.
Honestly, I'm not sure I want to change back to the way it was...I don't much miss the hustle and bustle or the grind. What's with all the saving and primping, why can't we all be chicks and bunnies? Wouldn't it be nice if nice was all we aspired to? Well, I guess I'm going back. And here's what I will do; I'll smile, because that's what an alpaca does best, and thank the happy Morphemes and hang out with my friend the sloth. Hell, sure beats sucking on a bullet, heh?
It was in all the papers, but of course the internet is more accessible these days—even the inexhaustible footage never stops streaming on YouTube. Everybody knows who I am; they all know my story. I will never live it down. I will never be free of who I am or what I've done. If there was ever a valid reason for suicide, I think I've discovered it, my body is newly shorn—I've just come from the groomers. My hospitable alien friends turned me into an alpaca.
For those of you who missed it, my name is Trigg Hatfelt, son of engineers, astronaut for the United Space Emporium, USE, assigned to the fifth fleet stationed in the third quadrant of the Rho Ophiuchi star sysytem. My team discovered the aliens, rather the indigent advanced lifeforms of Breaford, the third planet of Sigma.
They were nearly all light, but for communication purposes donned animal suits in our presence. They no longer had a name for themselves, but Alice called them Morphemes, I don't remember why, and the name stuck. The leader of the Morphemes was a sloth, I suppose they took on a form that most closely associated to their personalities. Also, he was beyond cute, and I'm pretty sure charisma was very appealing to the Morphemes; they almost worshiped aesthetics—which was weird, for it was nearly totally eliminated from their culture. The Breafordians lived beneath white domes a hundred miles round, connected by wireless transport discs. They moved around quite a lot. We weren't capable of using their transportation system, it would have incinerated us down to a cellular level, and was not equipped to put the scattered pieces back together, but we viewed them from our secure capsules stepping onto the silver circles and dissipating. One ghostly form would exit, another would return. We never figured out what the purpose of their constant travel was.
One day Alice, Maurice, and I were ushered into a twenty foot high building in the shape of an igloo; it's white bricks shimmered, translucent, and beams leaked out from the mortar. The Morpheme leader crawled on its belly from a back room, grinning up at us. Finally it reached us and sat at our table beckoning to a solid white wall, and a picture show started. We saw our Earth, at first from afar, then a closeup of continents and shorelines, then forests and cities. I don't know how they obtained these pictures, whether from their own devices or our minds, but it was obvious what they enjoyed, and what we viewed were the most pleasant and joyful scenes of Earth. Leafy trees, clouds big and fluffy, ocean waves of blue crashing in the foamy surf.
All around us now gathered the Morphemes in their animal suits, all of them puffed and fluffy and cute as a bug's ear. Not one of them donned the skin of an alligator or anything resembling a human. They pointed at us, with fingers or snouts, and then gestured at the furry creatures on the white wall. They smiled, I think they were smiling, and we were delighted, entranced. We clapped and nodded our heads. We hugged one another, happy for the connection we were making with such a friendly bunch of aliens. We would be heroes upon our return to Earth.
Well, the Morphemes took our nods and hoots as an acknowledgment of their gesture of welcome and kinship. It was in their nature to give freely of themselves, naturally predicting our desires to be one and the same as theirs. In retrospect, they may have been saying, Look at yourselves—how ugly you have become, with your narrow faces and pale skin. You are herky jerky in your gait, wrinkled and hairless. You wear fabricated skin to cover your ugly bodies—we have seen them—your minds think only of possessions or predicaments to wiggle into or out of. Such a mishmash of incomprehension...won't you be more like us, or if you aren't ready for translucency then be more like your animal cousins. We have seen how you enjoy our company...now enjoy it along with us, and take this gift back to your world.
After our meeting in the igloo, me and the team returned to our capsules and traveled back to our spaceship. We were given gifts that we didn't understand and boarded our craft to blast off of this alien world onto a trajectory that would lead us to the Milky Way and finally Earth, some fifteen years by and by.
All the way home we beamed images of Breaford and the Morphemes to scientists and the people of Earth. All were delighted in our discoveries. Pictures and diagrams of the alien presents were transmitted, and while none knew what they could be or of what purpose, anticipation of their arrival and of our return was felt throughout the colonies by the people and representatives alike.
The day of the return year came, and we awakened from a ten year sleep to an Earth older by several decades itself. We landed to a fanfare and sizzling display of pyrotechnics—people circled our spaceship in never-ending spirals overlapping and surging like waves on a beach. From a distance it was a spectacular view of unspecified undulating forms amidst cacophony, sparks and colorful smoke. Closer we made out human forms of every shape size and color, crowding pushing and waving. They cheered and we called back to them. It was good to be home.
A tunnel snaked into the throng, dividing the people, until it reached and connected with the ship's portal. We collected our belongings and disengaged the airlock to exit our home of the last thirty years. Much of that time we had spent in stasis, so we hadn't aged more than a few months. But the grounded people of Earth had aged the full thirty years, and none of the faces that greeted us were familiar. They escorted us into a secure facility where every part of our persons and gear were radiated against alien bugs and fear.
Alice was everyone's sweetheart—she appeared on every talk show and won every accolade. Even at the end she was adored and a sympathetic personality. Maurice was interviewed infrequently and forgotten; he had a heavy brow and a low guttural accent that was mostly undecipherable. Not long after we landed he returned to his native country and disappeared into the feral landscape where he felt most at home.
I was extensively interviewed and touted as the future of space travel, a modern day Captain Kirk. The ultimate responsibility was mine, and I had delivered. And finally the scientists revealed the gift of the Morphemes to the world. They had spent years pouring over the presents and found them to be nothing but glowing, translucent artifacts of the Breaford world. There was nothing at all mysterious or valuable in the gifts, other than the fact that they'd come from light years away, and glowed. So they went into a traveling exhibit that saw every corner of Earth. Nearly every inhabitant of the planet saw the gifts, felt the glow on their faces or from across the room. Eventually the presents made their way back to the landing site, where a permanent building was erected for their ultimate resting place, a museum dedicated to the Morphemes and the salutations they sent.
Many years hence we received a further communication from the third planet of Sigma: a brief flash of light. They had set a star of their system into supernova, as a message to us, or perhaps a catalyst. I believe it was the latter. Humans across the globe had swum in the glow of a distant star, as they gazed and were gazed on by the gift of the Morpheme; now they bathed in the light of the Morpheme's punctuating present. We received the blessing of those I had visited and concurred with those many decades ago. Now that it has happened, I realize the error I made, and take full responsibility. Little good it does me. I am loathed by every cute guinea pig and pekinese I encounter. Here is a yellow chick, and an otter. A mother giant panda and her koala child shuffle into an ice cream shoppe to wait for me to pass. Penguins jeer at me.
Well, what is an alpaca to do about it? At the least, I know I am admired from afar, by a world of wispy world wandering souls that drift in lazy circles around that bright star, Sigma. My 'people' are readying a rocket now to send me back, the furry opposable thumbed gibbons and adroitly tailed critters. They expect me to explain, to find a cure, to reverse the process.
Honestly, I'm not sure I want to change back to the way it was...I don't much miss the hustle and bustle or the grind. What's with all the saving and primping, why can't we all be chicks and bunnies? Wouldn't it be nice if nice was all we aspired to? Well, I guess I'm going back. And here's what I will do; I'll smile, because that's what an alpaca does best, and thank the happy Morphemes and hang out with my friend the sloth. Hell, sure beats sucking on a bullet, heh?
Friday, May 21, 2010
monky busyness
Everlasting they propagate
by rotating thus
: sit up, turn head, lay down, turn head
, roll over, sit up
, however there is no joy in it
just backward paralysis
. A prolonged mirthlessness
assures the hapless robomonkys
indefinite longevity in the primate sector
. Once established
hybrid fingerlings, the monkys
most profound tool
, expire hard
tending to wire grubs
who mow their bristles
. Nuance is calculated in blathery
= as both sides of the equation
explain a random monkey awareness
; we know they exist, but as formless
. Ingrained via mitochondrial implants
the robomonky's improved
reducing-dizzy-technique
gives them a scientific edge
over pseudo masters
. They know bacon
and powdered pastries
sludge the manifold percolator
whereas a well greased monky-cog
goes
and goes on
and on
anon
.
Grinding, the monky's
now defunct of
paralyzing infirmity
--ply the wares
selling illusions
illustrial collusion
fore-brained ideas
. So we bite
orthodontic overbite
with robomonky results
and the fruition equation
desultory in a fashion
by inhuman standards
enslaves
and controls
and we grind
the gears
so robomonky's clap
and cymbalism
resounds.

by rotating thus
: sit up, turn head, lay down, turn head
, roll over, sit up
, however there is no joy in it
just backward paralysis
. A prolonged mirthlessness
assures the hapless robomonkys
indefinite longevity in the primate sector
. Once established
hybrid fingerlings, the monkys
most profound tool
, expire hard
tending to wire grubs
who mow their bristles
. Nuance is calculated in blathery
= as both sides of the equation
explain a random monkey awareness
; we know they exist, but as formless
. Ingrained via mitochondrial implants
the robomonky's improved
reducing-dizzy-technique
gives them a scientific edge
over pseudo masters
. They know bacon
and powdered pastries
sludge the manifold percolator
whereas a well greased monky-cog
goes
and goes on
and on
anon
.
Grinding, the monky's
now defunct of
paralyzing infirmity
--ply the wares
selling illusions
illustrial collusion
fore-brained ideas
. So we bite
orthodontic overbite
with robomonky results
and the fruition equation
desultory in a fashion
by inhuman standards
enslaves
and controls
and we grind
the gears
so robomonky's clap
and cymbalism
resounds.

Sunday, May 16, 2010
another nite cometh
In the tranquil moments of the dusk
before the quails wake and peck on our windows
our iron clad windows, shuttered against the violence
we sit still holding hands
some of us pray
some sing sweet songs remembered from our youth
others sit in corners and hug their bodies
folding in upon themselves
and whisper
and bargain
their fears entrenched
buried deep they are soulless
down to a cellular level they feel nothing but the heavy clicks
of heavy beaks
of momentous clicking and clucking
like the striking of a bell
an hour
the peal of unending terror
they rub skin raw
with worry
and smash their palms into reddening eye sockets
bloody tears staining pallid cheeks
for even in the light of day
they fear the coming of the night
and the foraging quails
peering, their eyeballs black
subterranean like wellsprings
where the little children drown
and only swim up at night
to tap tap tap
on windowpanes
entreating
grinning with shiny teeth
and they cry
we are lonely
Joseph
we are sad
Annie
come out and play
with us.

before the quails wake and peck on our windows
our iron clad windows, shuttered against the violence
we sit still holding hands
some of us pray
some sing sweet songs remembered from our youth
others sit in corners and hug their bodies
folding in upon themselves
and whisper
and bargain
their fears entrenched
buried deep they are soulless
down to a cellular level they feel nothing but the heavy clicks
of heavy beaks
of momentous clicking and clucking
like the striking of a bell
an hour
the peal of unending terror
they rub skin raw
with worry
and smash their palms into reddening eye sockets
bloody tears staining pallid cheeks
for even in the light of day
they fear the coming of the night
and the foraging quails
peering, their eyeballs black
subterranean like wellsprings
where the little children drown
and only swim up at night
to tap tap tap
on windowpanes
entreating
grinning with shiny teeth
and they cry
we are lonely
Joseph
we are sad
Annie
come out and play
with us.

Friday, May 14, 2010
Tom and Dinosaur Hand Review
Dinosaur Hand: I didn't understand the Man who ate Goats!Tom: No! Dino, the movie is called “Men who stare at Goats”.
D.H: yea, and the goat infarcted and got all ate up, I presume.
Tom: And that's your take on this movie?
D.H: Why don't you laugh at 'infarction'?
Tom: It's not funny...anyway, this movie starred George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey.
D.H: ...among others.
Tom: The funny thing is, normally I don't much care for George Clooney, because he's a smarmy dope who mostly plays himself. In this movie everyone else played themselves and George actually acted—it was a breath of fresh air.
D.H: Are you saying you haven't succumbed to the charms of George Clooney?
Tom: Do I think he's 'dreamy'? Um, sorry, I'm sort of in the other camp, Dino.
D.H: Just 'sort of'?
Tom: Shut up, measly appendage. Anyway, The Men... was a quirky movie about the ridiculous ways the government will spend your money and had crazy characters and nothing quite worked out for any of them in the end...
D.H: ...but there was a happy ending, because (spoiler alert) the goats got away!
Tom: Ha, yeah. I guess there was that.
D.H: And an asteroid crashed into the desert and started a huge sandstorm that lasted forty days and forty nights, and grasshoppers ate out their eyeballs and the rivers turned red!
Tom: Um, did you end up watching The Ten Commandments the other night?
D.H: uh, huh, all 6 hours of it. And I ordered you an Ab Cruncher. You can thank me later.
Wednesday, May 12, 2010
the jewel thief strikes again!
kind of a theme thursday post...
Give me that string of pearls, I want it for participating in the murder of Sir Ralph, his Ralphness, the Summer BBQ Master of Ceremonies. My demands were unheard, so I in the heat of the moment repeated them, then for full effect, dropped my pants. Puppy print boxers are a crowd pleaser, and the room roared! But, the string of pearls remained just out of reach; alas, my distraction failed. It is impossible to grab and bolt while your pants are down around ankles. A new tactic was in order, and perhaps I could do with an accomplice. Mabel was nearby, and while she normally ignored me, plainly I could see her admiring my underwear; so I shuffled over to her corner. Did you hear me, Mabel? Asked I, surreptitiously. She answered, Maybe. That is all she would ever say; may as well be called Maybe as Mabel. Mabel, I talked to her sideways, like I was speaking to the vase of potted silk flowers beside her; Mabel, if you do as I say, I will give you these puppy boxers, and I will share with you one perfect pearl from a string of pearls if my plan comes to fruition. Mabel, do you agree to my terms? She turned the other way and spoke to a portrait of George the third. Maybe. And she giggled. Ah ha! Then I disclosed to her the awesome plan and waddled back to my position. It would not do to pull up my pants and draw attention to myself. But the pearls had moved and as I scanned the room for their precise location, Mabel pulled her dress up over her head and mooed. Not now! But nobody listened to me, they all pointed and howled at Mabel, mooing; still. But at that moment I spied the prize, she was shnorking sparkling white grape juice from a plastic champagne cup and it was spraying out her nose. Perfect, I rushed over to her, intent on snatching the pearls, but I had forgotten my pants and toppled over onto her. Louise; she was the loveliest lady in the room, despite her upturned nose, and was never without pearls. Hoo, she would surely be outraged at my indiscretion! I landed on top of her, and while she objected I hastily stood and hauled her to her feet, all the while brushing her dress, as I have seen it done on the television. She was of course aghast and huffed and puffed, but hardly another person noticed, because Mabel continued mooing. Someone asked her to stop, and began to lead her away; she said Maybe, and Moo. I soon moved off, discretely, for Mabel was up to the task, and Louise finally began patting at her throat and screaming, My Pearls, My Pearls! And she fell onto her knees, pretty good trick for an old broad, and searched the floor. But by that time I was away. They had set Mabel into a chair with her dress straightened out and I went to her. I sat two chairs away and stared grimacing at the TV set. Mabel, you did wonderfully; and for your excellent work I now award you a perfect pearl, and I put one round pearl onto the end table and rolled it. And the puppy shorts? she asked. Whoa, she has spoken! Yours, I replied; but when I made to remove them, I saw they were gone already, horrors! Liar, growled Mabel, and she pointed to the center of the room, where Louise was dancing with my shorts raised over her head. Puppy Pants, Puppy Pants, she sang and twirled—she had tricked me! Hmmph, snorted Mabel, and she fetched the string of pearls from my grasp and stomped away. By Jupiter's horns, she was beautiful in her rage. Ah well, Maybe it just took a good mystery to get Mabel into form. Perhaps the next Party Night things would work out better for me, and I'd get the goods, and the girl. Now, how does one leave a room full of people unnoticed, without pants?

Give me that string of pearls, I want it for participating in the murder of Sir Ralph, his Ralphness, the Summer BBQ Master of Ceremonies. My demands were unheard, so I in the heat of the moment repeated them, then for full effect, dropped my pants. Puppy print boxers are a crowd pleaser, and the room roared! But, the string of pearls remained just out of reach; alas, my distraction failed. It is impossible to grab and bolt while your pants are down around ankles. A new tactic was in order, and perhaps I could do with an accomplice. Mabel was nearby, and while she normally ignored me, plainly I could see her admiring my underwear; so I shuffled over to her corner. Did you hear me, Mabel? Asked I, surreptitiously. She answered, Maybe. That is all she would ever say; may as well be called Maybe as Mabel. Mabel, I talked to her sideways, like I was speaking to the vase of potted silk flowers beside her; Mabel, if you do as I say, I will give you these puppy boxers, and I will share with you one perfect pearl from a string of pearls if my plan comes to fruition. Mabel, do you agree to my terms? She turned the other way and spoke to a portrait of George the third. Maybe. And she giggled. Ah ha! Then I disclosed to her the awesome plan and waddled back to my position. It would not do to pull up my pants and draw attention to myself. But the pearls had moved and as I scanned the room for their precise location, Mabel pulled her dress up over her head and mooed. Not now! But nobody listened to me, they all pointed and howled at Mabel, mooing; still. But at that moment I spied the prize, she was shnorking sparkling white grape juice from a plastic champagne cup and it was spraying out her nose. Perfect, I rushed over to her, intent on snatching the pearls, but I had forgotten my pants and toppled over onto her. Louise; she was the loveliest lady in the room, despite her upturned nose, and was never without pearls. Hoo, she would surely be outraged at my indiscretion! I landed on top of her, and while she objected I hastily stood and hauled her to her feet, all the while brushing her dress, as I have seen it done on the television. She was of course aghast and huffed and puffed, but hardly another person noticed, because Mabel continued mooing. Someone asked her to stop, and began to lead her away; she said Maybe, and Moo. I soon moved off, discretely, for Mabel was up to the task, and Louise finally began patting at her throat and screaming, My Pearls, My Pearls! And she fell onto her knees, pretty good trick for an old broad, and searched the floor. But by that time I was away. They had set Mabel into a chair with her dress straightened out and I went to her. I sat two chairs away and stared grimacing at the TV set. Mabel, you did wonderfully; and for your excellent work I now award you a perfect pearl, and I put one round pearl onto the end table and rolled it. And the puppy shorts? she asked. Whoa, she has spoken! Yours, I replied; but when I made to remove them, I saw they were gone already, horrors! Liar, growled Mabel, and she pointed to the center of the room, where Louise was dancing with my shorts raised over her head. Puppy Pants, Puppy Pants, she sang and twirled—she had tricked me! Hmmph, snorted Mabel, and she fetched the string of pearls from my grasp and stomped away. By Jupiter's horns, she was beautiful in her rage. Ah well, Maybe it just took a good mystery to get Mabel into form. Perhaps the next Party Night things would work out better for me, and I'd get the goods, and the girl. Now, how does one leave a room full of people unnoticed, without pants?

Monday, May 10, 2010
prime time!
3, 2, 1...roll intro...
Get off my tail, punk.
Oh Crappy, you're so funny!
Hey kids, it's time for the Crappy the Squirrel Show!
Yay, weeee, Crappy! Yay, clap clap!
Hyuck, hey kiddos, it's me, Crappy! Today we gonna go out into the street!
Weee!
Yea, we gonna play in traffic!
Wee!
With cars, bigass cars with shiny hubcaps!
Ah, lookit that one! Weeee!
Oh, hey Johnny; that was close!
Ah, wah!
All right, all right; let's watch a cartoon...quit goin' on about it, little punk.
Wah!
Roll film...
Two cutesyyyyyy wootsy widdle wabbits is playing in the clover, and jumpin' up and down and have precious cute teeth and nibble flowers, and rabbit Boopi says, “knock knock” and rabbit Gloopy say “whoosit?”
and Boopi says in reply, she say “oh, its a big hungry dog gonna eat you up, chomp chomp” and “oh hahahaha, that a good one, you silly rabbit!” and so it happens in color with rapid eye catchy shaking and splatter.
Hey hey, kiddo, ooh; that was superb!
Aww, no no no. Bad Crappy.
Wah, we is crying, mommy mommy!
Shut up whiny little shits!
Crappy the Squirrel won't be on today, and is being replaced by Fuzzy Wuzzy Pink & Purple Daisy Chains! We love y
ou! We do, we do, it's true! We love you, too!
Get off my tail, punk.
Oh Crappy, you're so funny!
Hey kids, it's time for the Crappy the Squirrel Show!
Yay, weeee, Crappy! Yay, clap clap!
Hyuck, hey kiddos, it's me, Crappy! Today we gonna go out into the street!
Weee!
Yea, we gonna play in traffic!
Wee!
With cars, bigass cars with shiny hubcaps!
Ah, lookit that one! Weeee!
Oh, hey Johnny; that was close!
Ah, wah!
All right, all right; let's watch a cartoon...quit goin' on about it, little punk.
Wah!
Roll film...
Two cutesyyyyyy wootsy widdle wabbits is playing in the clover, and jumpin' up and down and have precious cute teeth and nibble flowers, and rabbit Boopi says, “knock knock” and rabbit Gloopy say “whoosit?”
and Boopi says in reply, she say “oh, its a big hungry dog gonna eat you up, chomp chomp” and “oh hahahaha, that a good one, you silly rabbit!” and so it happens in color with rapid eye catchy shaking and splatter.
Hey hey, kiddo, ooh; that was superb!
Aww, no no no. Bad Crappy.
Wah, we is crying, mommy mommy!
Shut up whiny little shits!
Crappy the Squirrel won't be on today, and is being replaced by Fuzzy Wuzzy Pink & Purple Daisy Chains! We love y
ou! We do, we do, it's true! We love you, too!Saturday, May 8, 2010
in league with the randomizer

Inconsequential jitney
in beige
the color of the universe
trucks the homeless
the gnomebound derelicts
growing gnarly goats
wicked beardos in egress
including infallible arsenals
of pique.
Linear pathos
detonates, driven by
the prince of lies
a galaxy of isms fall
into quagmires of heaps
in itinerant journeys
like infinite journeys
beyond known space
parallel circular a snake
eating its tail
that's futilistic that is the
advertisement,
placquered
thrifty road bound flying
skyward abets and falls
off the radar
eventually to a place
so near
yet infallibly unbeknownst
and crimson,
a universe
of a different color.
in beige
the color of the universe
trucks the homeless
the gnomebound derelicts
growing gnarly goats
wicked beardos in egress
including infallible arsenals
of pique.
Linear pathos
detonates, driven by
the prince of lies
a galaxy of isms fall
into quagmires of heaps
in itinerant journeys
like infinite journeys
beyond known space
parallel circular a snake
eating its tail
that's futilistic that is the
advertisement,
placquered
thrifty road bound flying
skyward abets and falls
off the radar
eventually to a place
so near
yet infallibly unbeknownst
and crimson,
a universe
of a different color.
Wednesday, May 5, 2010
living on the edge
Sometimes in the summer a
leaf will leave its tree.
Most remain through Autumn
gaining character and announcing colors
hitherto unsaid;
they fall with no remorse
joyously, celebrated, joined.
But often leaves cannot weather
the storm,
be it torrential rainfall or high wind.
Not every leaf is the same,
and some gather along a similar vein--
they will come or go as a group.
The seasons are harsh and each present
trials that challenge the foliage,
even to the point of catastrophe--
the loss of an entire community.
When that happens trunks, branches, twigs,
are mourned throughout the forest;
individual leaves will be singled out
to represent the whole.
But it is hardest for the branch when a leaf
falls in the spring or the summer,
when so many days of sun and growth
are before it.
We cry then, and live on,
or we fall to despair.

leaf will leave its tree.
Most remain through Autumn
gaining character and announcing colors
hitherto unsaid;
they fall with no remorse
joyously, celebrated, joined.
But often leaves cannot weather
the storm,
be it torrential rainfall or high wind.
Not every leaf is the same,
and some gather along a similar vein--
they will come or go as a group.
The seasons are harsh and each present
trials that challenge the foliage,
even to the point of catastrophe--
the loss of an entire community.
When that happens trunks, branches, twigs,
are mourned throughout the forest;
individual leaves will be singled out
to represent the whole.
But it is hardest for the branch when a leaf
falls in the spring or the summer,
when so many days of sun and growth
are before it.
We cry then, and live on,
or we fall to despair.
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